One enters Szajner's work through darkness; it is the theater, the stage for a confrontation, between Phoebus and the Moon.

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Resolutely contemporary, his work resists the classic categories of 'sculpture' and 'painting', leaning towards what one might term 'installations' and "digital art" as closer to the act of creation itself.

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This work surpasses genres, forever breaking through like a shaft of light in a darkened frame reminiscent of the camera oscura, the original and sainted stage of western pictorial representation to which Szajner ceaselessly revisits and reinvents.

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Margherita Leoni Figini.​